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W11

 

 

“…Die Natürlichkeit, mit der die W11SE+ Father John Mistys Stimmfarben zelebriert, ist nur als massstabsetzend zu bezeichnen…”

Amré Ibrahim, image hifi (Deutscher Testbericht)

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“…The naturalness with which the W11SE+ celebrates Father John Misty’s vocal timbre can only be described as benchmark setting…”

Amré Ibrahim, image hifi (English review)


“…After all, audio is usually a game of compromises. But not this time…”

Dawid Grzyb, 6moons


“…Als ich wieder im Hier und Jetzt lande, frage ich mich, wieso ich immer noch keine Boenicke-Lautsprecher besitze. Vielleicht ist es wie mit einer wunderschönen Frau, die man sich nicht traut, anzusprechen. Es wird Zeit.”

Christian Bayer, Lautsprecher Test-Jahrbuch 2020


“…Comparatively inconspicuous relative to performance, the W11 remains an efficient ego killer…”

Dawid Grzyb, 6moons


“…Dass die W5 Stimmen phänomenal abbildet, hat mich schon nicht mehr überrascht, denn ich kenne die Box recht gut. Wie sehr die W11SE jedoch in Sachen Stimmwiedergabe noch einmal zulegt, ist fast schon schockierend. Reinhard Mey war mir seit meiner Kindheit nicht mehr so nahe…”

Christian Bayer, image hifi show report Westdeutsche HiFi – Tage 2017


“…ich durfte dieses Jahr Eure phantastische Vorführung mit der W11 auf der High-End in München genießen und möchte mich dafür nochmals herzlichst bedanken. War es doch das allerbeste, was ich in den letzten Jahren dort erlebt habe!”

K.G., Deutschland


“…Package that very consistent quality with cloudless blue-sky soundstaging of epic proportions and fully grounded powerful bass. Voilà, the perfect wanted ad for Boenicke’s W11.”

6moons.com


“…eine Wahnsinns – Entwicklung…”

Dr. Thomas Brühne, Deutschland

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10″ carbon fiber long-throw bass driver, tuned to 27 Hz.

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TechTalk

Sensitivity: 86 – 89 dB / watt / m, depending on frequency

Nom. impedance: 6 ohms (drops to 2 ohms below 120 Hz in case loudest bass setting is chosen).

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Standard Version

  • 10″ long throw flat carbon fiber honeycomb bass driver, tuned to 27 Hz, first order crossover
  • 6″ custom-made woodcone bass-midrange driver, 1st order low pass filter, no high pass filter, ash tree phase plug, magnet structure force fit mounted to the whole wooden mass of enclosure
  • 3″ custom-made widebander, 1st order high pass filter, 2-cm copper gold electromechanical parallel straight resonator
  • Bass level adjustable in 2.5 db increments using a custom-made super high quality autoformer
  • Internal wiring orientation-optimised silk-wrapped high-frequency stranded litz
  • WBT NextGen binding posts
  • Rear ambient tweeter
  • Harmonisation included

 

SE Version

  • Added 2-cm copper gold electromechanical parallel straight resonator to bass-midrange driver
  • Added latest generation Bybee Quantum Purifiers
  • Added proprietary phase linearization network
  • Mundorf Silver Gold Oil capacitor for widebander
  • Added Duelund Tinned Copper Foil 0.01 uF bypass capacitor
  • Swing Base included
  • Harmonisation included

 

SE+ Version

  • 2-cm copper / 2-cm copper gold straight resonator combination installed at both widebander and bass driver in series, in addition to the parallel device
  • Added Steinmusic Speaker Match Signature
  • One more Bybee Quantum Purifier added, now directly placed before positive driver terminal
  • Added Harmonix RF 5700 Tuning Bases to widebander
  • Audio Consulting custom-made main capacitor for widebander, Duelund Silver Foil 0.01 uF bypass capacitor
  • Mundorf Silver Gold Oil capacitor for rear tweeter
  • 2 LessLoss Firewall for speakers built-in
  • C37 lacquer on rear side of wood cone and inner side of voice coil former
  • Swing Base included
  • Harmonisation included

 

Trees

Choose from walnut, ash, core ash and cherry. Oak upon request.

Dimensions

105 x 16,1 x 39 cm, weight approx. 25 kg per piece (depending on version and wood)

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Adjustable bass level by increments of 2.5 dB (total range of 10 dB), achieved by means of an ultra-high quality, custom-made autoformer.

wooddriver

Custom-made 16 Ohms wood cone bass-midrange driver with paper (!) voice coil former. The voice coil former material’s sonic importance is generally greatly underrated: Paper sounds more natural and uncolored than any other material otherwise used.

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